Archive for the 'comics' Category

23
Feb
08

So it appears there’s a new chance to get in the WAR beta

By buying:

Comdemned By Fire #1 Cover C

Essentially this is coming out of Wondercon this week:

Each copy of WARHAMMER: CONDEMNED BY FIRE #1 contains a scratch-off which reveals a code giving readers a 1-in-5 chance of entry into the WARHAMMER ONLINE beta test.

More info should be coming out in the next newsletter. But word is approximately 20% of codes submitted will be invited to participate in the beta test. Also, the promotional code must be activated by May 31, 2008 to be eligible for the beta test. Which means that we’re almost entirely guaranteed to see a June release if they’re stopping all beta apps at the end of May.

Meanwhile…

I’ve been bored out of my mind waiting for my beta invite. That is, I did the above before I closed my WoW account about a week after WAR beta opened. I’ve been making due with the PS3 and BF2142, but COME ON, MYTHIC. I put in a beta invite minutes after it opened.

So I’ve taken to helping out with editing HammerWiki.

01
Oct
07

James Sime continues to be the best retailler in comics.

Super Trash Flyer

Like sleazy, trashy old movies? Well so do I.

Which is why Isotope proudly presents a one-night film fest featuring the legendary cinematic historian, b-movie poster curator, exploitation auteur director, and trash film connoisseur Jacques Boyreau!

Author of two of the swingin’ sexiest must-have coffee table books ever printed, Trash: The Graphic Genius of Xploitation Movie Posters and the stunning The Male Mystique: Men’s Magazine Ads of the 1960s and ’70s as well as the cinematic whitesploitation visionary behind the anti-classics Planet Manson, I Do, I Die, and the science fiction LSD epic Candy Von Dewd, Boyreau is invading the Isotope with a 13 foot movie screen and hundreds of reels of lost b-movie exploitation cinema gems.

And for those in the SF Bay Area who need even more cinema sleeze be sure to also check out Boyreau’s Super Trash Peepshow slideshowing and talk featuring vintage artwork from trash films and other forms of disreputable pop culture at the Yerba Buena Center for the Arts the following night. You know where I’ll be!

Jacques Boyreau’s Super Trash Film Fest
Friday, October 5th
8pm – Midnight
18 and up, please. Bring your ID for booze. Never a cover.

01
Oct
07

Image Roll : Jack Kirby

Thank you, Image.Google.Com:

01
Oct
07

Castration of a Major Entertainment Company

So, we now have 3 years removed from Jemas’ official departure, four years from the Epic relaunch and Waid-gate, five years from his rise to the top of the heap, and 7 years since he and Joe Q helped create the Ultimate line with USM.

His tenure spawned some of the best books in comics in a long time, and injected Marvel with a sense of newess that brought it more readers than comics had seen in a long time.

For those of you who might not know who he was, here’s a brief synopsis from Rich Johnston’s LiTG regarding the end of Jemas’ tenure:

Quote:

“Bill Jemas came to prominence in Marvel during the bankruptcy reorganisations, originally from Marvel-owned Fleer, he launched the Ultimate line and eventually was key in replacing editor-in-chief Bob Harras with Joe Quesada. They formed a buddy team for the public, taking the roles of good cop and bad cop, often playing for the peanut gallery and courting controversy and sales as they attempted to mould Marvel in their image. Implementing no-overships, newsstand compilation magazines, the MAX line, entrenching Marvel Knights, removing the Comics Code, widening Marvel’s pool of talent to extremes, embracing trade paperback programmes and much more. They changed the face of the company and helped it move from loss into profit, while simultaneously grabbing positive reviews both inside and outside of comics.

“Years later, that partnership would suffer as controversy was suddenly frowned on by other Marvel execs and Joe Quesada began to disassociate himself from Jemas in the eyes of Marvel employees and freelancers, even as Bill Jemas was spearheading the Epic line which promised career jumping on point for wannabe comic creators.

“Jemas’ interference in plots and scripts at Marvel caused much fury internally. He was seen as arrogant, unfeeling and inconsistent and few felt his hands-on changes benefited the books.

“Avi Arad was furious over certain comics spearheaded by Jemas that caused him difficulty selling the properties to Hollywood, and causing ructions with stars. As the films became more and more important, executive Isaac Perlmutter switched his loyalties to Arad and the writing was on the wall. Bill Jemas’ courting of the press stopped, and his influence within the company was curtailed.

“It is expected that the Epic line will publish all announced titles, with a big splurge in February, but after that projects that have been greenlit, but not announced, may well be cancelled. I hear that already Epic editors Stephanie Moore and Cory Sedlmeier are working on non-Epic projects. The Ultimate line, making up some of Marvel’s best selling titles, will continue along a similar model.

“Bill Jemas’ future is unknown. However, after recently cashing in millions in stock, he’s not expected to be in need of a job or two right now. Jemas often became the Aunt Sally for Marvel. He leaves the company in a far better financial and creative state than it was when he took over. Some will curse his name, some will praise it. But he avoided committed the ultimate sin in comics – he was never boring.”

What we have seen since from Marvel has been the same parade of epic storylines and boring crossovers. The plastic smell has worn off, and everything seems old now. Is this what comics has become? No longer content to push boundries, Marvel has settled back into the ninties, laid it’s head down, and gone back to sleep.

02
Oct
06

Hrrrhrrrrrh

(prose action, opening or notes to a later work.)

In theory Dr. Mordred’s Saturday Night SINema was a perfect showcase for terrible horror movies, and gore flicks that were written and produced in the Lubbock area. Mordred would shamble about in tattered coattails and a gray top-hat, slurring his speech, and flailing around with plastic human remains as he introduced the evening’s entertainment. Mordred, who’s real name was Ryan Sandoval (PetWorld’s night manager monday thru friday,) had originally conceived of the idea after seeing clips of a similar public access show in Panama City.

He had spent most of his life collecting any horror movie he could find. Copius amounts of money spent in converting VHS to DVD, trolling through bins in flea markets and Horror/Sci-Fi conventions each summer. He also nightly dreamed of fistfights between Vampira and Elvira that would end in hushed embrace – most often at the foot of his own bed. Horror, it seemed, was all Mordred cared for.

In practice, however, Dr. Mordred’s Saturday Night SINema was a perfect joke for all fans of the macabre who lurked in the shadows of the Lubbock area. Sandoval had long since tried to hide his high-pitched squeek under the guise of a terrible Bela Lugosi impression. He would often drink half a gallon of milk before each taping to “slime up” his voice, but mostly would serve to stain his makeshift zombie cotoure – turning red blood stains into pink swathes of dripping comedy. It was long held that he would pour Pepto on his clothes to achieve an effect of dried blood, but once it was understood that this was an unfortunate side effect of his milk voice, Sandoval became something of a living symbol for Ed Wood fans’ eternal desire to see people fail.

22
Sep
06

The Reformers

(script action, politics)

“The Reformers”

Script – Mike Black

PAGE 1-

1 – Ext. suburban home. Backdoor of the house, a lone light sits lighting a small area of the backyard, the rest of the panel is pitch. Directly under the light is Richard, a cigarette dangling out of his mouth. His arms are crossed , but in one hand he holds the leash for his dog, sniffing at the ground in front of him.

TV (From inside door)-
The newest rounds of cuts has set off a fire storm of controversy across the country.

TV-
In The Slate-Helders budget, federal grants for student housing in post-graduate programs has been cut by some thirty percent. When asked for comment, Representative Helders stated…

TV (Helders)-
“The success from those programs was marginal. We’ve seen very little of value come from it over the past ten years. This is a society of success, and we cannot tie ourselves to endeavors that fail year in, year out.”

Richard-
Well, atleast I can still go home.

PAGE 2-

1 – These panels will all be widecreen. I want a real movie feel to them, maybe even light-boxed. The dog wanders out of the circle of light. Richard’s head leans back as his knees bend. He’s staring straight into the night sky. His cell phone rings.

2 – Richard straightens up, and the dog runs back into the light. The phone rings again.

3 – The phone is in his free hand, the other holding the leash out. He holds the cell to his ear and answers.

Richard-
Mom?

4 – Richard’s head sinks down as the dog jumps up and down at his leg playfully. The cigarette goes limp in his mouth.

Richard-
When did you sell it?

Richard-
Boca Raton. How nice.

Richard-
Alright, ma. I’m kind of busy right now.

Richard-
Alright, love you too.

5 – Same panel as last. The dog is clawing up at Richard’s knee. His head is now up, looking forward into the darkness as he plunges the cell phone into his pocket.

Richard-
Home is out of the question, then.

22
Sep
06

The Public Fisting Of Sen. James

(prose action)
I first met Jennifer Belle after the trial of Senator Anthony James.

It’d been so widly reported exactly what went on in room 442 of the Ocean Side Motel (much to the dismay of Mrs. James,) that when I was sent to by my editor to cover the post trial I wasn’t in need of much prepatory work. I still, however, ended up in the lobby of the Hilton drowning myself with cheap coffee.

The clippings I had were a mass of conformity. I couldn’t read more than three lines before seeing the same words I had seen thousands of times earlier in the stack. Bondage. Sadomasochism. School girls. All of it was so heavy, and it wore on me that the good Senator didn’t have any imagination when it came to sexual depraivity. It was if the Marquis De Sade used up all the good ideas, and all we had left were the scraps the Japanese were tossing us in their never ending quest to come up with new ways of getting off. When did a good, old fashioned sex scandal become so boring?

I felt sick and tired. The adderall I had begun taking to keep me focused was wearing off, and I was 200 miles away from my supplier. My head drifted back to my father saying “Dex, being a writer seems so damned lazy.” I couldn’t help but laugh when I thought about the strain I was going through. It might be easy to write, but getting focused enough to actually work was like voting in American Idol. I mean, really, who gives a shit? Struggling with the notes was proving harder and hard by the moment, as my eyes glazed over and my skull began to pound. Then it struck me that I didn’t have any cigarettes left. This left a deep sense of urgency that, compounded with the lack of sleep and banality of my profession, caused me to “check out” completely.

So, when I let my head wander, and my eyes go their own way, it’s no surprise that I was staring at the lady of the hour herself without realizing it. Talking about how gorgeous she was has no point – the world already knows. But the first time I first truely saw her charcoal hair, or the curves that most sculptors can’t duplicate, I was taken aback. I remember the first time I ever looked at her in person was right after the public fisting of Sen. James.

I also remember that it hurt to look at her.

22
Sep
06

Correspondence

Except from correspondence with a good friend Dewey. Shared based solely so you can understand why I always look like I’m staring off into space. This might shed insight into why I have a tendency to pick up projects and drop them immediately (much to Geen’s chagrin in terms of my writing output.)

Dewey,

…Man – what the fuck is my deal lately? I’m in another one of my creative gluts right now. Yesterday it’s t-shirt design, and today it’s political activism. I swear to god, all I wanted to do all day is create an activist website dedicated to Futurethink and the concept of [I]Raison d’Humanite[/I].

It’s like all I want to do is infest minds with my political theory of “Shut the fuck up.” I mean, I have shit to work on – no artist in sight for the forseable future – but, I have so much crap flying around my head. I want to push ideas, and kick start brains, and break faces. It’s driving me nuts. Mostly this means you can ignore the random PM’s I might send you in the next month or so. They will be varied and crazed, and half baked and completely random. Just remember that the shit I would send you (if I do,) is only about a quarter of whatever comes up in my head at any given time.

Did I ever tell you about [Nebula], the mature (in thought process, not content,) comics magazine? I was ranting about it for about a year. I kept spewing out “It’s easy to imagine! Just think of Playboy – but replace the tits with serialized comics!” I swore up and down that it would be a great way to get comics to the masses.

The website – fuck. I was kicking around “AllPointsBulletin.com”, where it was dedicated to finding, ferreting out, and polishing the ideas of the future. An online thinktank housing forward thinking educators, science majors, philosophers, and the like for designing and implementing Post Humanity (I suppose taking Morrison’s X-Men and making the ideas a reality.)

I also had big plans for bringing in architects to do city planning [on the website] – not just for urban sprawls here on Earth (to help aleviate population stress on the enviroment as well as to better control population growth,) but to try and plan what cities on Lunar colonies might look like. I swear to god, there is something wrong with the way I think.

Bler. My head hurts. I need to read. (Sometimes I need to vent before my brain bursts.)

-Mike

22
Sep
06

Angry makes me look like a 15 year old.

Utterly pissed. Very drunk. If I see another advert for Gay Superboy Clones in Next-To-Nothing on Digital Webbing, I’m going to pop and fucking drop a bomb on god. I can’t fucking stand the shit that comes out of these asshat’s mouths.

Fuck you. It’s not a fangasm. It’s a fucking lifestyle. Am I the only one who sees it? I don’t want your dollars, I want your fucking soul you cunts.

I seriously can’t stand your bullshit. Everything you put in my face – the Byrne obsessors, the cheap Alan Moore deconstructionist pig fuckers, and those god damned whiney Thompson horn-rimmers. Fuck you all.

Where’s the soul? Where’s the “I Don’t Wanna Hear It” ‘s and the “Rise Above” ‘s? Where’s the fucking balls? Where’s the experimenting? Where are the people gasping “That’s just retarded enough to work. Let’s put it out in a cheap mini-comic and give it to James Sime to sell?” Because he would. He still loves comics. Why don’t you?

I feel like I’m ready to pop. The world’s going to pop. THERE IS SO MUCH OUT THERE AND YOU ARE ALL SPINNING YOUR WHEELS TRYING TO FIGURE OUT THE SAME SHIT FOR THE PAST TWENTY YEARS. Fuck your jobs, fuck your 9 to 5′s. Give me something to live for, or to measure up to. Because until you do, I’m done with you. All of you.

I hope your happy, your $50-a-page-rates have made me hate comics.

22
Sep
06

The Crypt-Rocket of Robert Halem

(prose action)

The Crypt Rocket of Robert Halem

October is a month for fire.

Maybe it’s the changing of the leaves that I remember from Long Island as a child. Passing the old Grumman Testing Grounds( of The Philadelphia Project fame) on the Sunrise Highway, the leaves rolling off the trees and burning in the sunlight is about all I can remember about my early years in the north. It shaped my idea of what a fall should look like.

Later on I began to think of the leaves dieing everytime I watched the launches from Kennedy Space Center. I had forgotten what seasons where like when I moved to Florida – it was either hot, wet, or both. A few times a year it would drop into the 30′s, but it was hardly what I’d ever call “winter”. It just meant I sweat alot less when I wore my favorite three piece suits.

This year, though, October is a month of fire because I am watching the camera on the launch pad as the last solid fuel rocket carry the body of Robert Helam into the air, out of the atmosphere, and away from terra firma. Away, that is, towards the sun where the body of the most important man in the history of space exploration – that is, since John F. Kennedy bent the Russians and NASA over one giant chair and let rip – is going to be incinerated in the universe’s largest sarcophogus.

Helam, as you know, is the science-fiction writer who first adopted the “Shut the fuck up, you bastards, I know what I’m doing!” attitude of his contemporary American presidents to silence critics of manned space flight. I don’t think, though, any of you knew that he really enjoyed the music of Kylie Minogue. Of course you didn’t. You never drove in a car with him. It was maddening.

See, Helam and I were good friends. We skulked in the same circles. He was a science fiction writer (at a time where things like “curing cancer”, & “terraforming Mars” were something we all wanted but we too busy snickering at – the basis of most science fiction,) who became proactive in much the same way that Stephen King became a speed bump. It was if Sci-Fi was a new religion, and Robbie had fashioned himself a cult-of-personality.

So, sadly, in September of this year – amid the laughible Hurricane Cader – I watchced as the man who pioneered the use of social networking sites as tools to better expand the reach of SETI@home (and applied the same structures to NASA’s mission computers and tied advertising dollars to fund early Constellation Project missions,) leaked brain matter out of his nose.

Halem, the giant of human inginuity was struck dumb by Cerebral Deterioration Virus. CeDeV, the disease created when the earliest cancer-fighting nanobots began attacking the wrong sorts of bio-matter, was literally rotting the brain of one of the world’s brightest men.

It struck me as ironic. Not in that mildly horrifying Stephen Hawking/Professor Charles Xavier way. Not for Halem. He had to die in that fatally poetic Indian Larry sort of way.

I remember – some years ago – Robbie remarking that the only way “they’d get him is if they liquified his brain.” He wanted to come back as a giant floating monstrosity that scared women in into fetal positions and shot ray beams. The best we could manage was an AI with no personality at the Constellation Museum of Space Exploration next to the oldest space port on Earth.

(Which, to say, is a bit more endearing than the Alan Moore AI we erected at the Museum of Witchcraft and Extra-Spatial Exploration in North Hampton, UK. Basicly because a fifteen foot tall computer generated face of Alan Moore is creepy. Everywhere you go in that building feels like the thing is staring at you.)

So here I sit, some 75 years after my birth, in a state which I refuse to leave, watching as my good friend Robbie is rocketed off to become star-fuel. President Marsh sits in attendence straightening her skirt, standing next to her is Markum Futures – the noted Extra-Terrestrial Biologist & Sociologist – in a Def Leopard t-shirt. And it dawns on me, that just moments after his bloated and brainless corpse rocketed towards the sun and as I stare at these two mental “giants” set to take us to the next stage of human exploration, that I missed nothing more than my friend Dr. Halem hanging around.

Because, as with all great minds, everything just felt brighter with him around. Instead, I’m stuck not with the fiery leaves of a gorgeous New York fall, but the sickly brown of a wet Florida October. And that is no way to frame a goodbye.




Mike Black is…

A writer, reader, commentator, music lover, art lover, futurist, tech lover, pragmatist, romantic, DepDecoist, and a bastard. Hopefully you enjoy.

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